Doom over Bucharest III, Club Quantic, 29.04.2017

The third edition of Doom over Bucharest got us out of the house on a dark Saturday night and took us to our favourite concert location, Quantic pub. It was the same as always, space, air, beer, relaxed people, the female singer of Clouds sitting on our table during the previous acts and most people not realising it's her until she got up on the stage, some drunk dude from the audience getting on stage during the show and no one even batting an eyelid, just waiting for the song to end so he'll get down on his own... must be a club concert. 

Pain of salvation - Entropia

Since this has been a slower month in terms of albums I'm truly interested with, I'm going to share some thoughts about my new-found love, Pain of Salvation's Entropia. I guess it's no secret by now that In the passing light of day brought back a severe POS obsession, so I've been listening and listening and listening ever since, and so I discovered that there was one album that I was missing, and that was Entropia. 

Firma, Hard Rock Cafe, 10.03.2017

Oh God I love this band! When I was in high school, I used to have a giant crush on Rocca. Fast forward 15 years and I still have a giant crush on Rocca....'s voice. I always enjoyed Romanian alternative rock and I love most of the classics of this genre, but Firma always has and always will hold a special place for me. And as it is with most local bands, up until last night, I still hadn't seen them live, for some strange reason. 

Jethro Tull, Sala Palatului, 21.02.2017

Exactly how badass can a dude with a flute be? The answer was found the other night at Sala Palatului, where Ian Anderson showed how one can carry a concert with nothing but a truckload of talent. 

Pain of salvation – In the passing light of day

Every once in a while my ears and my soul are lucky enough to be graced with an album that I instantly love and that I keep loving more and more with each listen. In the passing light of day is one of those rare records. Pain of salvation have always been an emotionally intense and compelling band, but with this record it seems like Daniel poured even more of himself than usual. After his brush with death due to a very aggressive bacteria and the subsequent recovery, he created a sort of concept album based on that experience and the turmoil he went through and this naked vulnerable reflection of himself into music is absolutely fascinating. Overall it’s a more aggressive album (what some have called “return to the roots”), but at the same time it’s more intimate and the calmer moments have a special gentleness.