The previous Dim days of dolor album sparked my then dwindling concern for Sirenia, and not only due to Emmanuelle's deep, rich and pleasant voice. The band showed some promise in attempting to correct other things that were previously wrong, such as the ex-machina choirs and grunts and the coldness and general un-excitement the music had to offer. To tell the truth, I was disappointed in the way Ailyn was unceremoniously kicked out of the band and although I never cared for her voice, she seemed like a kind person that took all the (apparently undeserved) shit thrown at her with more grace and patience than most would've mustered. But another truth is that band drama aside, Emmanuelle's arrival was good for them musically and gave me naive hopes they would not only keep the higher standards, but raise them even more. And boy was I wrong!
17 Nov 2018
4 Nov 2018
Desteptarea primaverii, Teatrul Mic, 30.10.2018
I was a bit on the fence about doing this review, because it relates to a theatre play and not an actual concert. But after giving it further thought, I realised that I mostly treated it like a Firma concert and it was a wonderful experience that had a deep impact over me, so in it goes.
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